In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband temporarily moved to a house out in the country. They rented the estate because the narrator was having problems with a “nervous depression” and because their house is being renovated. The narrator is given a treatment that tells her to do nothing. No working and especially no writing, only sleeping and eating. She feels, however, as though working or doing something will do her good, so she writes. She writes about how beautiful the house is, her condition, how her husband treats her, and about wallpaper. The narrator talks about the color of the wallpaper, the patterns on it, the smell, and the strange, dead shadowy figures she begins to see behind the pattern. The narrator shows an increasing obsession with the wallpaper. She …show more content…
She writes how she saw the woman out and creeping around the grounds of the estate. Eventually, the narrator believes that she must free the woman from the wallpaper, and in the conclusion, tears all of the paper off of the walls. Charlotte P. Gilman wrote this story based on her own personal experience. Gilman effectively used imagery and symbolism to paint a vivid picture of a person slipping into insanity. In the “Yellow Wallpaper,” the point of view inside the mind of a woman who has recently given birth and is experiencing a mental breakdown. Through the narrator’s eyes we can see vivid imagery as she describes the wallpaper. The room that they decide to stay in is the large nursery upstairs, which is covered in hideous yellow wallpaper, “I never saw a worse paper in my life... The color is repellent, almost revolting...” (8). As she is writing the narrator continues to describe the yellow wallpaper in more gruesome descriptions. The more the narrator describes the wallpaper, the better readers are able to understand what she was going through. The narrator starts to see shapes in the
However, the most important aspect of this room is the yellow wallpaper. The narrator despises it, loathing the colour and it’s pattern. She writes that it is “. . .dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.” (Gilman). This description of the wallpaper serves the purpose to show the reader the unjust restrictions of society that the narrator is subjected to; “. . .commentators have seen in this description of the wallpaper a general representation of “the oppressive structures of society in which [the narrator] finds herself” (Madwoman 90), . . .” (Haney-Peritz 116). The statement of “dull enough to confuse the eye” and “constantly irritating and provoking study” are alluding to the narrator’s sense of inferiority and burden while the “lame and uncertain curves” are referencing the absurd suggestions that her husband is providing. Finally the “suicide” is the unfortunate fate that is destined to occur if his counsel is followed. When describing the wallpaper the narrator writes that “The color is repellent, almost
"The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.
“The Yellow Wallpaper” by Charlotte Perkins Gilman takes the form of journal entries of a woman undergoing treatment for postpartum depression. Her form of treatment is the “resting cure,” in which a person is isolated and put on bed rest. Her only social interaction is with her sister-in-law Jennie and her husband, John, who is also her doctor. Besides small interactions with them, most of the time she is left alone. Society believes all she needs is a break from the stresses of everyday life, while she believes that “society and stimulus” (pg 347, paragraph 16) will make
In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.
The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis
Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely
The Yellow Paper is a symbolic story written by Charlotte Perkins Gilman. It is a disheartening tale of a woman struggling to free herself from postpartum depression. This story gives an account of an emotionally and intellectual deteriorated woman who is a wife and a mother who is struggling to break free from her metal prison and find peace. The post-partum depression forced her to look for a neurologist doctor who gives a rest cure. She was supposed to have a strict bed rest. The woman lived in a male dominated society and wanted indictment from it as she had been driven crazy by as a result of the Victorian “rest-cure.” Her husband made sure that she had a strict bed rest by separating her from her child by taking her to recuperate in
The narrator in "The Yellow Wallpaper" becomes haunted by the wallpaper in her room. The setting takes place in the room, she dislikes the room from the moment she sees it and fells suffocated by it. Her feeling of suffocation and being haunted by the wallpaper helps the reader become more aware of her motivation for tearing the wallpaper down.
The narrator in “The Yellow Wallpaper” is told she needs to rest constantly to overcome her sickness, so she is forced to stay in the old nursery where there is yellow-orange wallpaper with a busy, obnoxious pattern that she hates. She tries to study the wallpaper to distinguish the pattern, and as time goes on she believes she sees a woman moving around in the background of the pattern. Also, during this period of time the character’s condition is worsening, because her husband is causing her mind to weaken by not allowing her to exert herself at all; he says she is not to think about her condition, walk through the garden or visit family. All she can do is sleep and trace the wallpaper, and being cooped up in the room causes her to begin hallucinating. The narrator sees the woman trying to escape from the wallpaper throughout the night, and she ultimately completely breaks down and believes that she is the woman.
Throughout the story “The Yellow Wallpaper,” the narrator of the story displays signs of depression. The narrator of the story was brought to an old colonial mansion that has been untenanted for a long while by her husband John, who believed that she had a nervous condition. On the walls in the nursery of the house, there was yellow wallpaper that, according to the narrator, was horrific. After staying in the house a while, the narrator began to become obsessed with the wallpaper, and she would use some bizarre language to describe the sight. When the narrator describes the wallpaper you can tell that there is a something deeper that’s wrong other than just a nervous condition: “There is a recurrent spot where the pattern lolls like a broken
Feminist studies generally focus on the role that hysterical diagnoses and treatments played in reinforcing the prevailing, male-dominant gender roles through the subversion, manipulation and degrading of female experience through the use of medical treatments and power structures. Charlotte Perkins Gilman’s “ The Yellow Wallpaper” is a perfect example of these themes. In writing this story, Charlotte Perkins Gilman drew upon her own personal experiences with hysteria. The adoption of the sick-role was a product of-and a reaction against gender norms and all of the pressures and tensions that their satisfaction demanded. Gilman’s essay uses autobiographical experiences displayed as doppelganger quality the in the main narrator of the
In the grips of depression and the restrictions prescribed by her physician husband a woman struggles with maintaining her sanity and purpose. As a new mother and a writer, and she is denied the responsibility and intellectual stimulation of these elements in her life as part of her rest cure. Her world is reduced to prison-like enforcement on her diet, exercise, sleep and intellectual activities until she is "well again". As she gives in to the restrictions and falls deeper into depression, she focuses on the wallpaper and slides towards insanity. The Yellow Wallpaper by Charlotte Perkins Gilman is a story written from a first-person perspective about a young woman's mental deterioration during the 1800's and
Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, which is also her doctor, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness. Everyday she keeps looking at the torn yellow wallpaper. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband's wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She thinks she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find that his wife has pulled the paper off the wall and is crawling around the perimeter of the room.
As the protagonist suffers from her “nervous condition”, the isolated environment causes her to only get worse. Being trapped in the bedroom with yellow wallpaper contributes her emotional distress to become overpowering. The inability to verbally express her feelings of loneliness causes her to write in a more creative way about her relationships with objects in the room, specifically the yellow wallpaper. She begins to write about the yellow wallpaper as if it is suppose to have some sort of significance, in which it does. In the beginning of the narrator’s isolation, her attention is focused on the details of the yellow wallpaper’s pattern that are “dull enough to confused the eye in following, pronounced enough constantly to irritate and provoke study” (438). The wallpaper’s characteristics become hard to
"There comes John, and I must put this away -- he hates to have me write a