Within this Narrative, Antigone frequently uses the emotional values of others to convince them of what she believes to be right.The first illustration of this phenomenon is when Antigone compares her willingness to face death as the result of giving her brother an honorable burial, to her sister Ismene's unwillingness in doing the same.The main character feels as though it is her personal and moral obligation to retrieve the afterlife that’s been taken from her brother.Therefore, she does not agree in abiding by Creon's man-made legislation and makes it her mission to concede to the laws of the gods. Asking for her sister's help, she hopes to obtain reliability, only to find her too intimidated by Creon, Their uncle, and king. Accordingly, …show more content…
Antigone uses comparison to herself to make Ismene appear weak and self-serving in return. This technique is persuasive because it appeals to the human need for respect and convinces Ismene along with the audience, by cause of her choices, she lacks in it.Another rhetorical appeal used in the quote is logos; the persuasion of logistics.Antigone uses reference to authority with the intent to tempt Ismene with a reminder that the laws of the gods would normally rule over all. Opposingly, in these circumstances, things have unjustly changed, and she has a chance to revise this omission by helping bury her brother.She strives to press her beliefs into her sister by reminding her of their people’s original policy; no matter their crime, everyone will have a chance of an afterlife. However, Ismene isn't convinced, so Antigone settles on another …show more content…
In support of this, she says "Now you can prove what you are: A true sister or a traitor to your family." (Sophocles, Prologue, Antigone).Again, she uses emotional appeal. Antigone pulled her need for Ismene's help away from her goal and pointed it towards herself, using Ismene’s deeply rooted care against her.This would hopefully make a doubtful sister feel the need to help Antigone so that she could prove her loyalty. Ismene, as smart as she is, doesn't fall for her guilt trip, so Antigone is forced to take things into her own hands. She does what she believes she has to do and buries her brother, only to consequently be caught by none other than King Creon. Creon promises she will fall to death, and she doesn't fight this, but she does want the king to know that what she’s done is righteous in not only her own opinion. She states “I should have praise and honor for what I have done. All these men here would praise me. Were their lips not frozen shut with fear of you” (Page 210 Sophocles Antigone). The king knows he is feared and for even-handed reasons, so this proclamation cannot be perceived as anything
Being that Antigone is the protagonist, her character is important in the play. She made the decision to bury her brother knowing that it was against Creon’s law. Ismene refused to help Antigone, which left her angry, yet still determined to bury her brother. She knew that burying her brother could lead to her own death, but she continued to show courage, strength, and determination throughout her role. In the beginning, Antigone says, “Dear god, shout it from the rooftops. I’ll hate you all the more for silence/ tell the world!”(17,100-101). This was said to Ismene, when they were discussing burial plans and Ismene was telling Antigone that she was against the plan. Antigone’s dialogue shows that she is not worried about being punished or worried about who knows what she has done. It is clear that Antigone is sincere about honoring the gods, her actions show that she feels that she is pleasing the gods and that is all that matters to her. “These laws/ I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods.”(30, 509-511). This demonstrates how she feels about man’s law vs. divine law. In the plot, there was not one time where Antigone denied
While Antigone represents a full devotion to humanism, her sister, Ismene, represents not only the rejection of it, but also passivity towards the notion of morality which, in a sense, is equivalent to Creon’s treachery towards what we hold morally sacred. Ismene has long been used as a symbol of both anti-politics and anti-humanism, which creates a dynamic plot by contrasting the cowardly fear to stand up for one’s concept of what is right with a brazen display of self-fulfilled justice. (2) What’s worse may be Ismene’s knowledge of her cowardliness and complete complacency, as seen when talking to Antigone about her plan to bury their slain brother when sharing her fear of punishment, " Think how we’ll die far worse than all the rest, if we defy the law and move against the
Antigone’s motivation is love for her family- she puts it above all else. In fact, she is willing to sacrifice her life to defend that love. Antigone goes to great lengths to bury her deceased brother, who according to an edict issued by King Creon, died in dishonor, consequently making it illegal for anyone to bury his body. Through her actions to comply with her motivations, it is revealed that Antigone’s actions are also fueled by her strong beliefs that, first, the gods’ laws
Moreover, Antigone’s ability to follow her own beliefs results into the heroicness and tragic death of Antigone. Antigone is from a royal family and has the power to do what she believes in. She believes in following traditions and exercises that power when she says, “I will bury him, and if I must die, I say that the crime is holy: I shall lie down With him in death, and I shall be as dear To him as he to me” (694). Antigone follows her beliefs in following tradition and by doing what she feels is best. Antigone does this because she knows she is doing the right thing and knows that she will be repaid in some way. Furthermore, Antigone justifies her actions by telling the reasons that motivated her to do it to King Creon. She refuses to give in to the beliefs of King Creon and continues to think her own separate way. Antigone takes a stand to Creon when she says, “ Think Death less than a friend? This death of mine Is of no importance, but if I had left my brother Lying in death unburied, I should have suffered. Now I do not. You smile at me. Ah Creon , Think me a fool, if you like, but it may well be That a fool convicts me of folly” (709). Antigone believes what she is doing is correct and proves that to Creon , but he is still not convinced. It is important for Antigone to do what she believes is so that she will be pleased and satisfied with the outcome. Antigone’s ability to pursue her goals and to what she wants
From the very first scene opening with Antigone sharing her intentions with Ismene, Antigone is introduced with these good virtues: “Death so we meet, were honor; and for that capital crime or piety, loving and loved, I will lie by his side. Far longer is there need I satisfy those nether powers, than power on earth” (Sophocles 3). Antigone proclaims her willingness to die by her brother in order for him to be buried with honor and for him to have died loved, for it is what the gods desire and she has an obligation to them as she will need to satisfy them longer. During the same exchange, Antigone invited Ismene to join her in burying their brother: “Though you desire, shall you, with my good will, share what I do” (Sophocles 3). Antigone is allowing Ismene to join her in her admirable and noble mission to honor their brother and appease the gods so that Ismene has a chance to prove herself to the gods and to their family as
Antigone uses rhetorical devices, including allusion and repetition of words, to increase the effectiveness of her argument. The most prevalent allusion in the speech is the one to God. She refers to the gods as having the ultimate power over any human being. This reference to the religious beliefs of the Theban people is an effective device to use. It causes her audience to consider the boundaries between the laws of the mortal and immortal. Knowing that her audience has strong religious background, Antigone uses this rhetorical device to ensure that her speech reaches into their beliefs and causes them to
Throughout the play Antigone by Sophocles, Antigone does not have one main motivation, but rather a blend of many. As Antigone’s three most evident motives are doing the right thing, flouting Creon’s authority, and expressing her overall anger at life, the first and the last are most important. In this play, the combination of Antigone’s emotions toward her grave past and her obligation to her brother, regarding the gods, fuses together to be the incentive for her actions, regardless of Creon. Challenging Creon is almost a side effect, a medium through which Antigone can achieve her goals.
Antigone's decision to bury her brother caused harm to many people. First, she tried to convince her sister Ismene to help her. She did this by trying to make Ismene feel guilty if she did not; stating it was Ismene's brother too. She says after Ismene tells her she is on a hopeless quest "If you say so, you will make me hate you and the hatred of the dead, by all rights, will haunt you day and night."(Act I: Scene I: Line 57) This threat brings Antigone farther apart from the only living family member that she has left. She has her mind set so much on burying her brother that she will stop at nothing, not even threatening her opposing sister to do it. Since Ismene has been through the same
Antigone wants to be redeemed in the afterlife through her act of burying Polyneices. This is especially clear when she decides that she will bury him and die before she has even appealed to Creon. The only route she can see is one that results in her death. Not until she is directly confronted by her uncle does she attempt to dissuade him from dishonoring Polyneices. Even then, she seems to be simply defending her own actions rather than accusing him of being wrong, as she so adamantly has done with Ismene. He needs to implore her to “Speak!” (166, 442), and when she does, she is flippant and prideful. Antigone only engages in real dialogue with him when he forces her to. This could be interpreted as her simply understanding his position and accepting it, but I find that unlikely. She clearly fundamentally disagrees with him and his interpretation of the gods, but instead of trying to persuade him to recant his decree and bury her brother, she capitalizes on the position she’s in and thrusts herself into martyrdom. Even by the gods’ standards, this does not seem to be justice or “rightness”. Her surface level loyalty to her family may initially appeal, but I find it insincere and not right when I explore it more closely.
Family is very important and is shown through the many ways in society. That family will often be more important than the authority or law. The tragic Greek play, Antigone written by Sophocles. Within Antigone, Sophocles presents many situations where characters are forced to face their feelings of law or family. Throughout Antigone, Sophocles proves his strong devotion to family, even more. Sophocles presents these through the actions of Antigone, Creon, and Haemon with the choices that they make throughout the play. For instance, Antigone had many chances to obey the law or her own familial bonds. Antigone chooses to obey family, and bury Polynices even though burying breaks Creon's law. Antigone pleads with her sister to help, but when she says no, Antigone responds, “But as for me/ I will bury the brother I love” (Prologue. 192). Antigone was willing to break Creon's authority as a family means much more to her, this presents her as selfless. Along with breaking the law, Antigone also risks execution for that crime. When Antigone learns of her punishment, after Creon discovers, Antigone decides if entombing her brother was worth it. Following Creon's warning, she says, “This death of mine/ is of no importance; but if I had left my brother/ lying in death unburied, I should have suffered. / Now I do not” (Scene II. 208). Antigone shows the courage that even death won't scare her from her goals. Antigone chooses family, when in the face of the capital punishment.
In her dialogue with Creon, Antigone reveals that she buried her brother against the decree of the king to escape punishment from the gods. Divine law demands that Antigone buries her brother, and she knows that by doing so her death would be imminent. She had to choose between her obedience to Creon as a woman and a citizen and her loyalty to the gods. She develops to an immensely heroic woman because she alone understands that divine law is more eminent than state law. "I did not mean to let a fear of any human will lead to my punishment among the gods" (line
The only person in the city who is ready to defy Creon’s law is his niece, the sister to Polynices, Antigone. She is overcome with grief by Creon’s order, and sets out to bury her brother. She believed that Creon, “a mere mortal,” did not have the power to “…override the gods, the great unwritten, unshakable traditions…” surrounding the rights of a dead man (Line 503-505). Her loyalty was to her family, not to the new king of Thebes. When Antigone goes to her sister Ismene to plead for her help in burying their brother, even she is too afraid of Creon’s authority to assist her only family. “I must obey the one’s in power,” she says. “...defy the city? I have no strength for that.” (Line 79-80, 93). She is lead to go against what she feels is morally right because she is fearful of the consequences. Even though Antigone is aware of these deadly consequences, she is willing to face them and stand up for what she believes is right. Discovering that Antigone has gone against him, Creon immediately sentences
When questioned about committing treason, Antigone’s lack of denial illustrates her rashness in decision-making, as she has nothing to gain from death. Instead of disclaiming the lowly guard’s words, she proudly states: “I say I did it and I don’t deny it” (Antigone 443). By admitting her role in the burial, Antigone seals her fate. Furthermore, the notion of her death does not faze her as she tells Creon: “I knew I must die - how could I not?” (460). Her acceptance of her death, while honorable, is unnecessary, because her objective of giving her fallen brother a respectful and honorable burial is already achieved. If she had not mentioned her role, there was a chance that she could have survived. In addition, Antigone does not even factor in the feelings of her sister Ismene and her fiancé Haemon, showing how inconsiderate she is of her impact on others. This irrational approach can only be described as foolishness; if she had been wiser, she would have buried her brother and survived to tell the tale. Her lack of judgement results in her downfall and the misery for those around her.
Defiant Antigone, on the other hand, draws solely on the laws of physis to justify her worldly crime, a "sinless" act in comparison to Ismene's inaction. Because Ismene remains reliant on her pardoning prayers to the gods, Antigone accuses her of dishonoring the divine laws they have created for man to follow. Antigone's constant decision to obey physis and act on love and compassion for her brother is portrayed as blameless and forgivable by the
Antigone, on the other hand, is the maverick who dares to defy Creon, initiating the spiral of events that cause both his downfall and realization of his misdeeds. Antigone rejects Creon?s authority in favor of the higher Divine law, telling her sister Ismene, ?I will bury him; and if I must die, I say that this crime is holy: I shall lie down with him in death? (Sophocles 192). When questioned by Creon as to why she breaks the law, she asserts, ?It was not God?s proclamation. That final Justice that rules the world below makes no such laws? (Sophocles 208). Antigone is unafraid of her punishment claiming, ?this death of mine is of no importance; but if I had left my brother lying in death unburied, I should have suffered? (Sophocles 208). She remains steadfast in her beliefs, never compromising her principles to escape her uncle?s wrath. In her final address to the people, she proclaims, ?you will remember what things I suffer, and at what men?s hands, because I would not transgress the laws of heaven? (Sophocles 228). This indicates that she, alone, has chosen the righteous path.