Published in March 2016, Asylum is a complex, fractured novel that hovers on the border of reality and unreality. It is the most recent work by author John Hughes, whose novel The Idea of Home received the Premier’s Award for Nonfiction in 2005. The tale of Asylum is intriguing, a Kafkaesque allegory that binds the strangeness felt by refugees seeking asylum, with an image of purgatory borrowed from classical works of fiction. It is split into two acts, and within these acts, multiple fragments. The reader encounters excerpts from reports and inquiries as well as ‘Legends’ of both ‘The Doors’ and ‘The Place’. The landscape of the text is split into three places, ‘Sanctuary’, the ‘Doors’, and ‘Place’. Its protagonists are Baba and Ash, and …show more content…
In this respect, Hughes alienates readers who prefer a linear narrative plot, with characters and motives that are easy to decipher. Ed Wright (2012) incurred the same issue upon reading Hughes’ earlier novel The Remnants. He argues that there are books ‘that can only be fully appreciated once the real terror of one’s own mortality has been felt’. His own experience reading Proust before he was able to full appreciate it returned upon reading The Remnants (Wright 2012). The confusing nature of the text can be, admittedly, difficult at times to follow. Only upon a second reading can the true meaning of the text be gaged. The first chapter of Asylum, which introduces Baba, sets the tone for the novel. ‘The Official’, as Hughes calls the character, asks for Baba’s name. The reader is able to see inside Baba’s mind, as he comments that he ‘only knew a handful of their words’ (Hughes 2016, 3). From the outset there is uncertainty and mystery, as the reader does not know the identity of the Official, just their title, or the true identity of Baba other than what he tells the Official. Baba then ventures into the outside world, where he happens upon the ‘Sanctuary’, a place that is ‘a temple built to resemble a ruin’ (Hughes 2016, 13). It is here that he meets Ash, a barber who wears a white robe, and who tells Baba when he arrives that he will wear the black. They cut the hair of their clients and listen to their stories, before the client
In the novel “Inside out & Back Again” written by Thanhha Lai , The main character Ha flees her home due to war. Her and her family were looking for a new home trying to start a new life. Although it wasn’t easy for her to start a new life she had to learn to overcome many challenges. In the novel Ha reveals that her life is related to the refugee life even though it was unexpected. When refugees flee their home, it affects them when they leave and find a new home, it also involves affecting them when their life is turned inside out,and it demonstrates why they relate to the refugee experience.
The hostel is depicted as a place of insecurity where the individual identity has been removed and replaced with anonymity and insignificance ‘no one kept count of all the comings and goings’ and ‘arrivals of newcomers in busloads’. The poet also highlights the migrants need to seek out the familiar in people with the same nationality or culture, in search of a place to belong and a link to their former identities by connecting with other migrants, ‘ Nationalities sought each other out instinctively’.
The text chosen for this unit id the book Refuge by prominent Australian writer Jackie French (2013). Refuge follows the story of Faris, a young refugee feeling from his homeland with his grandmother to Australia. On the dangerous boat journey from Indonesia to Australia, they encounter a terrible storm where Faris falls unconscious and wakes up living his dream life in Australia. However, he has no recollection of how he got there. Whilst on the beach, he meets a strange group of children all from different times and places. Faris soon discovers that each child is like him, a migrant who travelled to Australia searching for a better place. Each child is living in their own ‘dream’ Australia and the beach provides a sort of ‘refuge’ from reality for them. Eventually, Faris has to make the decision to either continue living in this dream land or face his reality. This book is interesting as unlike other refugee texts, this novel serves to tell the multicultural history of Australian immigration. French relays the more than 60 000 year old history of people travelling to Australia by boat and makes the statement that all immigrants and refugees need to be treated with empathy and understanding.
In the novel “Inside Out and Back Again” by Thanha Lai, the universal refugee experience is expressed through the title, and Ha’s individual experience of fleeing and finding home. This essay will show the hardships of turning inside out and how hard it is coming back again. In “Inside Out and Back Again” an independent, determined girl named Ha flees her home in Vietnam because of war and poverty. Ha and her family flee to Alabama to start a better life. In Alabama, Ha faces challenges such as bullying, and racism that make her stronger to come back again.
“Migrant Hostel”, gives the responder a perspective of the plight of migrants and the trouble they face in building relationships due to the events in their past and the lack of understanding in the world around them. The metaphor of the “barrier at the main gate… Pointed in reprimand or shame” demonstrates how their housing affects them. A person cannot belong if they feel shamed, furthermore they consider themselves “birds of passage” with constant “comings and goings.” The constantly fluctuating events in their life results in an in-ability to form relationships as they have in-adequate time to form them, hindering belonging. Despite this shared “memories of hunger and hate” allowing some belonging, the alliteration emphasises the hardship of
-As readers we come across many details in literature that hole significance, however the common reader usually misses the deeper
How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines by Thomas C. Foster is a book that explains there is more to literature than just a few words on a paper or a few pages in a book. Thomas Foster’s book portrays a relatable message to a wide based audience. This book is relatable for two reasons, the way it is written and the examples it uses. The book is written in a conversational manner, as if the reader was in a group discussion about books and writing. As for the examples, they are informative, descriptive, relative, and entertaining.
Beautiful imagery laced amidst a wondrous storyline, accompanied by memorable and lovable characters are all elements pertaining to enjoyable works of fiction. Tales that keep one up late into the night forever reading just “one more page” forever propelling the intrinsic imagination for a novel enthusiast. Yet, at times there are deeper meanings hidden between the lines. Symbols, analogies, and latent parallels all connecting to real life events and situations being portrayed by the author. Using literary theory can bring a more profound understanding of the reading material at hand, as well as unique insight as to what the author was feeling or intending to portray at the time of writing.
Salvation is defined as the deliverance from sin and its consequences. In a Christianity sense, salvation is when a person accepts the Lord Jesus Christ as their savior, and they believe the fact that he died for the sins of Christians. The term of salvation is often referred to as being “saved”. Salvation is when one delivers not only their body in a physical to the church and God, but it is also a committee to Jesus mentally and spiritually. Getting saved can be a very pressuring and life changing decision. That is sometimes forced upon young adolescents. Ultimately it can cause one to question their spiritually sometimes even damaging their belief in Jesus. In Langston Hughes’
and to be bisected into one of the many deeper meanings. The novel inhabits the oldest following
To truly understand a great novel and its author, the reader must dig deep inside the life
Langston Hughes, born on February 1, 1902, was an American poet, novelist, and social activist. His work depicts the hardships and poverty of the Negro life in America. Langston became one of the most popular writers during the Harlem Renaissance. His books include The Negro Mother (1931), The Ways of White Folks (1934), The Big Sea (1940), and etc. Salvation, a short chapter in The Big Sea, describes a horrific event in Hughes’s early life as he approaches the age of 13. Hughes attended his Auntie Reed’s church to be saved from sin, but he was not really saved. He encounters the lost of hope and faith in Jesus; which will cause him to question about religion. In a chapter in Langston Hughes’s autobiography The Big Sea (1940) called Salvation, Hughes regrets his decision to stand up and get “saved” at the revival.
“The Christmas Story,” by Langston Hughes shows the day Jesus was born into the world. Based on the poem by Hughes, he believed in Jesus. The poem also explains everything about where Jesus was born and his circumstances that night.
Yet, there are certain points in the novel where Baba provides his perspective on life to Amir, demonstrating compassionate, father-like qualities. This is highlighted when Baba states “There is only one sin, only one. And that is theft. Every other sin is a variation of theft… When you kill a man, you steal a life…You steal his wife’s right to her husband, his children’s right to a father. When you tell a lie, you steal someone’s right to the truth (19-20). Baba educates Amir about the principles in which he values you to be true about sins. Yet, this is ironic because Baba proves to be a thief himself, which expresses more instances of alienation in Amir’s childhood existence. Baba shows to be hypocritical when he deprives Amir the right to have a father figure. This drives the conflict of the novel. He gives the impression how it is a sin to steal the right to someone. Although not recognizable at first, he clearly goes against his beliefs when analyzed. His disloyalty adds on to alienating Amir. This is because later on in the novel, Amir himself comprehends that Baba was truly a thief. This is expressed when Amir notes, “And now, fifteen years after I'd buried him, I was learning that Baba had been a thief. And a thief of the worst kind, because the things he'd stolen had been sacred” (225).
I sat in the very back of the classroom shielding my face with any book that was in sight. That way wouldn’t get called upon to read, but I guess my camouflage of books wasn’t good enough. I was assigned a part in the book to read and I could tell you, I was not happy. As we began to read I could see that my character’s part was starting to inch closer and closer. My heart started to beat out of my chest and the more my throat started to knot up. I was having second thoughts about even coming to school that day, but as I began to read, I started to get more into the book. It began to catch my interest and from that point on I started to realize it was more than just reading a book word per word. There was more to the story than what the paper full of writing would