The Columbia Encyclopedia, Sixth Edition. 2001-07.
Wieland, Christoph Martin
(krs´tôf mär´tn v´länt) (KEY) , 1733–1813, German poet and novelist. His style, typical of the German rococo, is elegant, satiric, and often playful. He borrowed subjects from classical antiquity as well as from fairy tales. A political novel, Der goldene Spiegel [the golden mirror] (1772), won him employment as a tutor to the princes of Saxe-Weimar. His Geschichte des Agathon (1766, tr. The History of Agathon, 1773) is an early psychological novel; Die Abderiten (1774, tr. The Republic of Fools, 1861) is his best-known political satire. Wieland’s verse narratives include Musarion (1768) and a noted fairy-tale epic, Oberon (1780, tr. 1798; by John Quincy Adams, 1799). He edited the influential literary journal Teutsche Merkur (1773–1810) and, with his translations of Shakespeare, helped to pave the way for future literary developments in Germany.
s´tôf mär´t
´länt) (KEY) , 1733–1813, German poet and novelist. His style, typical of the German rococo, is elegant, satiric, and often playful. He borrowed subjects from classical antiquity as well as from fairy tales. A political novel, Der goldene Spiegel [the golden mirror] (1772), won him employment as a tutor to the princes of Saxe-Weimar. His Geschichte des Agathon (1766, tr. The History of Agathon, 1773) is an early psychological novel; Die Abderiten (1774, tr. The Republic of Fools, 1861) is his best-known political satire. Wieland’s verse narratives include Musarion (1768) and a noted fairy-tale epic, Oberon (1780, tr. 1798; by John Quincy Adams, 1799). He edited the influential literary journal Teutsche Merkur (1773–1810) and, with his translations of Shakespeare, helped to pave the way for future literary developments in Germany.
